Linda Holmes

We committed the unpardonable crime of being mavericks who were successful, and everybody hated us. It would've been fine if we'd been just hacks and made a lot of money, that's OK. Or to be really original and starve, that's OK. But it's not OK to do both, and they didn't forgive us.

Note: This review discusses, and the show contains, scenes depicting, and stories about, sexual assault.

In the first episode of the HBO series I May Destroy You, Arabella has other things going on before she's sexually assaulted. She's trying to meet a book deadline, and she's worried she can't, and in the great tradition of writers doing everything else when they can't write, she steps out for a drink. When she next comes to, she realizes she was drugged and assaulted.

It's been five years since Parks and Recreation ended its run, after a final season that jumped forward into the future — specifically, to 2017. We haven't got the nifty transparent touchscreens their 2017 showed. Instead, we have a pandemic, and we have social distancing, and we are doing without many of our comforts, large and small. But for a half-hour on Thursday night, we did not have to be without our friends from Pawnee.

At Sunday's Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.

Endings are sad, but without them, nothing matters.

That was only one of the lessons of the thoughtful, emotional finale of NBC's The Good Place, which itself ended after four seasons and only 52 episodes. But, as the show itself stressed in its last couple of installments, heaven is not continuing forever: It's leaving at the right time, when you've done your work. When you're ready.

The headline out of this morning's Oscar nominations could have been newness. There was the arrival of Netflix's two best picture contenders (Marriage Story with six nominations and The Irishman with 10). There was the huge showing for Bong Joon-ho's remarkable Parasite (six nominations) out of South Korea, the extraordinarily rare foreign-language film to make the leap to best picture and the first from South Korea.

We have this conversation every year, but that doesn't mean it's not true: It's hard to know what to make of the Golden Globes telecast. We — and by "we" I mean most awards show watchers — hold a few truths to be self-evident: that the Globes are silly, that it's nice to see people be praised for good work and that the Globes (like most awards, unfortunately) do a pretty terrible job of rewarding people who do good work in an equitable way, which means even deserved wins can feel bittersweet.

The rapid ascent of Netflix as a creator of film and television continued Monday morning as the streaming service placed four films in the Golden Globes' 10 best motion picture contenders in comedy and drama. But the Hollywood Foreign Press Association rewarded established directors like Quentin Tarantino, too, while continuing its legendarily wacky devotion to some of its favorite celebrities.

It is hopefully clear that a review and discussion of the Succession season two finale is not suitable for people who do not want to be spoiled regarding the Succession season two finale. If it is not clear: You will know what happened on this episode by the time you're finished reading this piece. Choose wisely.

If you predicted that creator-actor Phoebe Waller-Bridge would be a big winner going into Sunday night's Emmy Awards, you might just have won your Emmys pool. And if you were predicting a giant final haul of Game of Thrones trophies as that show leaves us for good, you were, well, sort of right.

It's an old tradition that endures, even amid the year-round deluge of programming brought to us by the age of streaming. It is the fall TV preview.

Turns out fall is the perfect time to refocus on television after a summer filled with vacations and outdoor distractions. So our pop culture team collected the coolest TV shows coming your way over the next few months as a guide through the madness. We haven't seen all of these programs yet, but we've learned enough to know they're worth checking out.

The Muppet Movie is 40 now. And I could tell you that this makes me feel old, but it doesn't. It oddly makes me feel just right. The music has been with me from when I was little until right now, and I can still listen to it and discover new things. How could you not? It has "Rainbow Connection" in it.

The 17th season of Project Runway concluded Thursday night, handing the win to Sebastian Grey.

It was the show's first run without Heidi Klum and Tim Gunn, who reigned while Runway ran on Bravo and then on Lifetime. Back on Bravo now, it features model Karlie Kloss in the host role and designer (and former Project Runway winner) Christian Siriano in the mentor role.

Broadway has changed a lot in the last few years, and in an important way: We've cleared the period of time when everything seemed to be about Hamilton, and then about post-Hamilton, and then about whether there could ever be another Hamilton. (There won't.) Broadway had another big year for box office, it's learning how to use social media to connect with younger audiences — whatever the next phase is, it seems that it's started.

Oh, hello, it's a romantic comedy!

Avengers: Endgame is the culmination of a hugely profitable series of films that began with Iron Man in 2008. It makes sense that the opening weekend of the concluding chapter — which also happens to be a very good movie with a 96 percent critics' rating on Rotten Tomatoes — would make a lot of money. But if there's a place in box office coverage for "whoa, Nellie" anymore, it is perhaps here. And so let us say: Whoa, Nellie.

"Bringing a unicorn here is not an easy or inexpensive endeavor. You have to be the right sort of girl."

The right sort of girl.

Old stuff spoiler alert: This piece discusses the plot of Jordan Peele's Get Out and the plots of a handful of old Twilight Zone episodes, but doesn't spoil episodes from the new run that debuts Monday.

What is the scariest thing you can imagine?

Reality TV Roundup

Mar 9, 2019

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MICHEL MARTIN, HOST:

It turns out the Oscars telecast doesn't need a host.

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AUDIE CORNISH, HOST:

And leading the pack with today's Oscar nominations - "Roma" and "The Favourite." And here's a quick sampling of the eight contenders for best picture.

(SOUNDBITE OF FILM, "THE FAVOURITE")

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DAVID GREENE, HOST:

Four years ago, a Japanese organizing consultant published a book that was called "The Life Changing Magic Of Tidying Up."

(SOUNDBITE OF TV SHOW, "TIDYING UP WITH MARIE KONDO")

MARIE KONDO: Hello. I'm Marie Kondo.

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Fyre Festival - that is F-Y-R-E - was supposed to be the music festival of 2017.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED NARRATOR: The actual experience exceeds all expectations into something that's hard to put in words.

As turn-of-the-millennium YA soaps on television go, Roswell was no Buffy or Dawson's Creek, but it had its devotees. Furthermore, it was the big break for both Shiri Appleby and Katherine Heigl, both of whom are still in TV 20 years after Roswell premiered in 1999. Now, the reboot business has found Roswell — now called Roswell, New Mexico in its new form on the CW. (Both are based on the Melinda Metz book series Roswell High.)

You'll find a lot of 2018 films more loved by critics than Green Book and Bohemian Rhapsody, but both have found enthusiastic audiences. On Sunday night, they were the big winners in film at the Golden Globes, in a ceremony that dragged 20 minutes past its scheduled time and occasionally felt as if it was rushing through a list of awards and trying desperately to get winners to wrap it up.

If you've always wondered what a sing-off between the Phillie Phanatic and Goofy from Disneyland would look like, The Masked Singer is about as close as you're going to get. It premiered on Fox on Wednesday night, and the network would love to see it burn brightly, even though the high (like, extremely high) concept suggests it might burn rather briefly.

Hundreds and hundreds of series air every year. They are good and they are lousy; they are new and they are old. There's too much television for a comprehensive ranking, so Glen Weldon, Linda Holmes and Eric Deggans round up 16 of their favorite shows from 2018.

The Americans (FX)

Are the Golden Globes an awards milestone that sometimes suggests where the season might be going? A genuine opportunity to recognize a fresher batch of shows and films than sometimes dominate the Emmys and Oscars? A boost that has legitimately helped some good but under-the-radar projects raise their profiles? A special chance to acknowledge talent that doesn't get recognized enough?

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"You're bouncing off the atmosphere."

Early in director Damien Chazelle's First Man, this is one of the cautions given to Neil Armstrong (Ryan Gosling) during his pilot training, years before he walked on the moon. That idea of the barrier between Earth and space, the violence of making the journey through it and the almost mystical experience of being on the other side of it forms the spine of the film.

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