Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

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Jeremy Dutcher came to the Tiny Desk with sparkling, purple streams of glitter draped around his shoulders. Then he set his iPad on our Yamaha upright piano, not to read his score as pianists do these days, but to play a centuries-old wax cylinder recording of a song sung in the incredibly rare language of Wolastoq. Jeremy Dutcher, along with cellist Blanche Israel and percussionist and electronics wizard Greg Harrison, wove that old recording into a remarkably passionate performance that was very 21st-century, with a deep nod to a century past.

This year, I was blown away by the Tiny Desk Contest entries I saw. We received over 6,000 entries from all across the country. We saw tiny desks up on rooftops and down on a subway platform; tucked into treetops, pickup trucks and laundromats. We heard songs about the situations that make life difficult and the people that make life worth living.

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There's new music from Big Thief: a song, released today, called "UFOF," and the band's third album, coming May 3, titled

Editor's note: This page has been updated to include more of the conversation between Bob Boilen and Ezra Koenig.

Today we have some incredible, never-before-seen footage of John Lennon recording his seemingly cutthroat song, "How Do You Sleep?" It's a song he released in 1971 and directed at his former Beatle bandmate Paul McCartney. Here's just a sample of the lyrics:

At 76, Paul Simon has been writing music for more than 60 years. And all that's about to come to an end.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions.

We watched more than 6,000 videos. Ten judges weighed in. Now, the 2017 Tiny Desk Contest has a winner.

Today we're thrilled to announce that the winner of the Tiny Desk Concert Contest is Fantastic Negrito.

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Neil Young wants to start a revolution against the MP3, against the CD, poorly made vinyl and poor audio quality in general. He wants people to hear the music the way it was made.

I've just spent the weekend at Winter Jazzfest and GlobalFEST in New York City. These are two of the biggest annual festivals of their kind, featuring several thrilling, packed days of music, with live performances that run late into the night.