Lars Gotrich
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Summer feels infinite, but also rushed in its impermanence. Roséwave bottles that infinity with a soundtrack that spans generations and genres of music.
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Musician Garry Brents has been a prolific creator of extreme metal for years, but his latest project returns to his first love, '90s nu metal, through a dystopian lens.
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Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.
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Threadbare demos on a new reissue of 1998's Overcome by Happiness illuminate Joe Pernice's songwriting paradox: Brill Building pop woven from homespun scruff, sarcastic but always sure-footed.
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The band recaptures a shredded tension on its second new album after a two-decade hiatus: You feel the crushing effects of the world upon humanity, and the occasional glimpse of beauty.
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As much as Pedigo's songcraft has changed, a tender smirk remains behind each pluck and strum here.
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The Athens, Ga., group has always felt like a myth hidden in plain sight. In a newly unearthed studio session, hear the band reverse-engineer punk's primitive roots to craft a circus-like surrealism.
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The New Zealand band writes sparkling indie pop underpinned by empathy. At the Tiny Desk, you can hear that support and camaraderie in the band's stripped-down arrangements and dry banter.
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A testament to her heartstring-tugging taste and temperament, Grant dares us to leave a world worth living in.
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The band pulls off a pop music magic trick, indulging nostalgia and crafting a vintage '90s patchwork dress in pop song form.