Jacob Ganz
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Watch the Melbourne rocker and her band blast through "Nobody Really Cares If You Don't Go To The Party," a song from her new album, live at SXSW.
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We asked the romantic London band to perform a song from its album Present Tense in The Campbell Apartment, an antique bar tucked into the corner of New York's bustling Grand Central Station.
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Whether you use it as a balm or an echo chamber for your despair, Ware's second album is a celebration of gloriously messy feelings, each tamed by her soft touch.
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After two solid albums, Too Bright is something shockingly new for Perfume Genius: a set of muscular, magnificently controlled songs that explore darkness inside and out.
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The mastermind behind the band Boston isn't just a songwriter — he's also an engineer. Scholz opens his studio to demonstrate how his self-made gear helped create the group's unique sound.
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All over its darkly shimmering second album, the band showcases a remarkable ability to pull listeners' strings. Hundred Waters' members make music to burrow deep into, to obsess over.
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Nothing on Metamodern sounds forced; Simpson has perfected the trick of distilling classic country from many eras and moving away from it at the same time.
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Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.
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A video for the brand new song "Cavity," from the band's second album, out May 27, uses a single flashlight to create an eerily beautiful landscape.
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A pinch of melody, a dash of groove. Pop music is built on making a song sound just new enough to be intriguing. So what happens when one song sounds a little too familiar?