This week, IPR’s Symphonies of Iowa features internationally acclaimed cellist Zuill Bailey and Iowa’s own Michael Daugherty on Orchestra Iowa’s “Tales of Hemingway” concert.
The program opens with Beethoven’s Coriolan Overture, a depiction of the story of Coriolanus, a Roman patrician. Then, Michael Daugherty’s Tales of Hemingway is performed with guest cellist Zuill Bailey.
Orchestra Iowa performs Daugherty’s Tales of Hemingway, an orchestral work inspired by the literature of American author Ernest Hemingway. Guest cellist Zuill Bailey won the 2017 GRAMMY Awards for his world premiere performance of the work with the Nashville Symphony.
Michael Daugherty, a native of Cedar Rapids, is one of the ten most performed American concert-music composers. He has received six GRAMMY awards and international recognition. Daugherty’s music has been “commissioned and premiered by many of the world’s leading orchestras including the Baltimore Symphony Orchestra, Philadelphia Orchestra, and the San Francisco Symphony.” He studied composition with “many of the preeminent composers of the 20th century, including Jacob Druckman, Earle Brown, Bernard Rands, and Roger Reynolds at Yale, Pierre Boulez in Paris, and György Ligeti in Hamburg.” Daugherty is also a frequent guest conductor of professional orchestras, university wind ensembles, and festivals around the world.
Orchestra Iowa also performs Jocelyn Morlock’s My Name is Amanda Todd, the tragic story of a young teenager who took her own life in 2012. The program ends with a performance of Schumann’s Symphony No. 4.
Each piece performed in Orchestra Iowa’s “Tales of Hemingway” concert has a tie to shedding light on mental health awareness, either through the inspiration of the piece or through the composer.
Listen below as Michael Daugherty shares details on his concept for Tales of Hemingway.
BEETHOVEN Coriolan Overture, Op. 62
DAUGHERTY Tales of Hemingway
MORLOCK My Name Is Amanda Todd
SCHUMANN Symphony No. 4
Tim Hankewich, conductor
Zuill Bailey, cello