Barney Sherman

How can today's artists say something new and helpful about the Holocaust? For Minnesota composer Stephen Paulus and poet Michael Dennis Brown, the key was to focus on children.

In their multimedia oratorio “To Be Certain Of The Dawn,” the pair took inspiration from Roman Vishniac's photographs of Jewish children in pre-Shoah Europe. Brown, a graduate of the Iowa Writers' Workshop, says the “children’s faces are the sun, moon and stars of this work.”

"Bach is the father, we are the kids,” said Mozart, maybe. The quote was reported 40 years after Mozart’s death by someone known to make stuff up and otherwise fall short of NPR sourcing standards. But even if it’s apocryphal, what makes it interesting is not who said it but which Bach he had in mind: not Johann Sebastian, but his second son, Carl Philipp Emanuel Bach. Let's call him CPE (1714-1788).

Tune in this afternoon at 1 to hear a live preview of the 2019 ChamberFest Dubuque - including music by founder Michael Gilbertson that the Pulitzer Prize committee praised for its "rare capacity to stir the heart."  Ten years ago, Michael invited some musical friends to join him in his hometown to play a benefit for his alma mater, the Northeast Iowa School of Music. It worked - the School is going strong - and the concert has evolved into the annual ChamberFest, which still benefits community music education in Iowa.

In the last two months of 2018, Iowans gave 100 choral concerts (we listed them!). But if December is "peak choral," the singing returns in February and especially in March and April. We won’t create another “big list” of every event, but will try to keep you updated with brief, occasional posts. As usual, let me know what I’m missing! Here’s a start:

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TUESDAY, MARCH 5th

A Choral Iowa post: Supermarkets began piping in holiday tunes in November, so you've probably heard all the standards just in the course of buying groceries. But below is a gem for which you need a choral group. Called Estampie Natalis, it reflects two of the enthusiasms of its Czech-born composer, Vaclav Nelhybel.

It's the perfect month for a choral concert, and Iowa's artists have been hard at work preparing. From university concerts to madrigal dinners to Handel in Clinton and Cedar Rapids and an Iowa premiere in Grinnell, here's what I hope will become a complete list.  I'm sure I've missed things, so please let me know of omissions or corrections (at choraliowa@iowapublicradio.org). The goal is to include everyone!

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“I shouldn’t tell you this, but she advocates dirty books… Chaucer… Rabelais... BALZAC!” It’s a laugh line that never falls flat, and it advances the plot of The Music Man. Broadway convention meant that Harold Hill and Marian Paroo must end up together, so Meredith Willson needed another dramatic tension, and he found it in priggish opposition to the library. And what bluenoses could be more hilarious - or more believable - than the mayor's wife and her cronies?

When pianist/ composer Nathan Carterette plays the Goldberg Variations in our Cedar Falls studio on Tuesday, March 13th, you can listen on-air, or stream the video at our Facebook page. Carterette has performed the Goldbergs live on radio before (using Mr. Rogers' old piano at Pittsburgh's WQED), but this is the first time you can watch if you choose.

If you listen to my daily program, you might notice that I can't resist English pastoral music. You might not guess that I once thought of it as an indulgence, a guilty pleasure like gooey brownies or, more to the point, sticky toffee pudding. I learned early on to equate "greatness" in music with Germanic thoroughness and "significance" with cutting-edge spikiness. Musicology back then wrote off the English pastoral style as "a reactionary mishmash of escapism, sentimentality and nostalgia—a refuge for dead-enders and also-rans."

Tune in at 7PM tonight (Oct. 4th) for IPR's first live broadcast from the beautiful new Voxman Music Building in Iowa City.  You'll hear the renowned Chiara String Quartet, known for such innovations as performing masterpieces from memory. They'll be going their separate ways next September, so now's the time to catch them at their peak!

Join us Wednesday, Sept. 6, at noon - in person, on air, or with video on Facebook Live - for a performance by the uniquely innovative Project Trio. Be part of the studio audience, OR listen on-air, OR watch online at IPR's Facebook page! Gramophone wrote that Project Trio is "willing and able to touch on the gamut of musical bases ranging from Baroque to nu-Metal," and the New York Times called flutist Greg Pattillo “the best in the world at what he does.” Intrigued?

Tune in for tonight's LA Philharmonic broadcast to hear Brahms, Ravel - and James Matheson. Born in Des Moines in 1970, Matheson has become one of America's most honored and widely performed composers. From 2009-2015 he also served as director of the LA Philharmonic's Composer Fellowship Program, and tonight at 7 that orchestra plays the premiere of his latest tone poem, Unchained. Also on the program is Helene Grimaud playing the epic Piano Concerto no. 2 of Brahms, a composer this French pianist is especially identified with.

When the San Francisco Symphony appointed the American conductor, composer, and pianist Michael Tilson Thomas as its music director, the chemistry was perfect from the start. The orchestra and "MTT" inspired each other creatively, and conveyed the artistic excitement to listeners. That was in 1995, and since then the orchestra has gained even more international renown than it already had, winning the most prestigious international prizes, including the Gramophone Award, France's Grand Prix du Disque, Japan's Record Academy, and no fewer than 11 Grammy Awards.