© 2022 Iowa Public Radio
IPR20012_Website_Header_Option2_NewsNavy.png
Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
91.7 KSUI HD Services are down / KSUI operating at reduced power

'Cassandra's Dream'

Woody Allen's unofficial London murder trilogy (it began with the thriller Match Point and continued with the detective story Scoop) concludes with an (a)morality tale of sorts.

A pair of brothers — go-getting social climber Ewan McGregor and go-along alcoholic Colin Farrell — agree to kill a man their rich uncle needs rubbed out. Why the uncle would entrust the job to two ineffectual kids with no apparent aptitude for skulduggery isn't clear. But he does, and there follows a tale of nerves, self-doubt, guilt and comeuppance. The story's decently compelling, the acting stylized (wait 'til you hear Farrell's on-again-off-again Cockney accent) if never terribly believable.

It's never hard to sit through, even if Allen (who wrote and directed, but does not appear), ends the tale too abruptly. The final frames come so soon after the dramatic climax, in fact, that you might think he simply lost the last five pages of the script.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.